| Plague. Rampant, decimating
virulence. From The Hot Zone's popularizing account
of a thankfully limited outbreak to anxiety over Saddam's Anthrax,
it's part of the current zeitgeist. Recently there's been
the surprise visit from that little old bird-killing (oh, and some
people, too) West Nile bug in NYC. Don't forget drug resistant
TB incubated in Russian prisons and the US homeless population.
Oh, and rumors of the black-market sale of otherwise extinct smallpox
virus.
The image of epidemic is
a potent one and it's present literally and figuratively in literature
and fiction, high and low. There are modern representations
- Albert Camus' The Plague, Stephen King's The Stand,
Richard Matherson's vampire novel I Am Legend, one might
argue Ionesco's Rhinoceros, Terry Gilliam's 12 Monkeys
and George Romero's zombie trilogy. That doesn't even touch
discussions of the AIDS crisis. Then there are older pieces
Daniel DeFoe's A Journal of the Plague Year, Boccaccio's
Decameron, Edgar Allen Poe's Masque of the Red Death,
Mary Wollstonecraft Shelly's The Last Man.
Stewart O'Nan's A Prayer
for the Dying is a recent and notable addition to these annals
of plague-time.
The Civil War is recent memory
to Jacob Hansen; sheriff, undertaker, and pastor of Friendship,
Wisconsin. When the body of a soldier is found in the woods
outside town, Jacob goes out to recover the body. On the
way back, he finds Lydia Flynn, a member of a local religious
commune, incoherent on the side of the road. He brings her,
along with the corpse of the soldier, to the town's doctor.
Doc diagnoses the problem as diphtheria but can do little for
Lydia. The real concern is the community. Doc and
Jacob attempt to contain the outbreak while maintaining order
and civility in Friendship.
The larger conflict, though,
is within Jacob's faith and duty; guilt and love, selfishness
and sacrifice churn within him. Facing such brutal events,
there is
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